![human portraiture human portraiture](https://www.christies.com/media-library/images/features/articles/2018/08/09/a-collaboration-between-two-artists-one-human-one-a-machine/edmond-de-belamy-880.jpg)
![human portraiture human portraiture](https://images.squarespace-cdn.com/content/v1/5511fc7ce4b0a3782aa9418b/1429321964771-KJBEK20Y1OQT59VG96W7/portrait-prismacolor-art.jpg)
This is an impression borne out by what we know of his practice. Evidently well-fed and tending towards stoutness, with a phalanx of gold buttons catching the light and extravagant ruffles of lace escaping his sleeve-ends, he displays a supreme, almost antagonistic self-assurance. Arms crossed and chin raised, Latham gazes imperiously at the viewer. As a first foray, it was a bold statement of intent.
![human portraiture human portraiture](https://fiverr-res.cloudinary.com/images/q_auto,f_auto/gigs/144066456/original/6444685da375bb6a28a1578e679718e9304c0172/humanimal-drawing-human-portrait-animal-body.jpeg)
While Ireland is often seen as behindhand in terms of its engagement with the visual arts in this period-a viewpoint expressed as late as 1738 by patron of the arts and co-founder of the Dublin Society Dr Samuel Madden: “the utter Neglect which prevails in Ireland, will ever be a proof against us of Barbarism and Gothick ignorance” 5-the enthusiastic participation of Irish painters in the European trend for self-representation appears to buck this assumption in an interesting manner. While ostensibly the most personal form of artistic production -“the one form of easel painting that resists being owned” 4-self-portraiture in the eighteenth century became a public showcase and, as such, a cipher for a whole range of artistic aspirations and concerns. 5 Samuel Madden, Reflections and Resolutions proper for the Gentlemen of Ireland as to their Co (.)ġIn an age 2 characterised by the deliberate blurring of boundaries between the public and private spheres and a growing pre-occupation with the artistic process, it is perhaps not surprising that in eighteenth-century Europe it became almost obligatory for any artist of ambition to record their countenance for posterity 3.4 Philip Fisher quoted in James Hall, The Self-Portrait.3 For more on the characteristic and quite intentional confusion between the private / public (.).2 Title quote is taken from a Letter from James Barry to the Society of Arts.BANNED TOPICĬontent that breaks the spirit of these rules may be removed at moderator discretion. For information on topics that are temporarily banned, please view our rules page. We may occasionally ban specific topics that have flooded the subreddit. Users may only make one self-promotional submission per week. Explanations should be posted as a reddit comment - referencing the title is not enough.Īll giveaways, surveys, fundraisers, and petitions must be approved by the moderators first.
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